Doctor Jekyll and the Werewolf - 1972

Man, I was off by one year when I guessed. Shit.

Paul Naschy returns to the set in this bizarre crossover that I didn't know existed. I haven't seen many werewolf movies, and I haven't seen a single Jekyll movie. So I'm a noob.

In the beginning of this one, there is a werewolf terrorizing a small village. For me this was the best part of the film. For the first 20 minutes or so there is a real atmosphere, there is some excellent tone and dark, eerie images. We don't see the creature and naturally I forgot which movie I'd put on so I was pleasantly surprised when the werewolf shows up, but I was also loving the not-knowing before it did.

Once the werewolf does show up and the movie takes it's plot forward, we see the werewolf has his identity known and is trying to rid himself of the curse. He knows someone who had heard of Dr. Jekyll and Jekyll's formula of transformation and soon enough they decide to give the fomula to the werewolf. Apparently I guess the two curses will duke it out and both will no longer affect him? Of course, we know that won't be the case though. We know that instead he'll have BOTH curses!

So yeah, once the whole Jekyll thing starts to happen, the movie gets way less interesting, and I was checked out for sure. The atmosphere gone, we instead get plenty of lab scenes. This movie is the one where the Pure Terror DVD menu music comes from, a weird sciency theme. It's not great, but it's not bad. Which is generally how I'd describe the entire film.

There's a few well known sequences and good parts, but it's also obviously low level B movie entertainment in general. So, it serves it's purpose. Great beginning though.

Curse of Bigfoot - 1975

I'm a bigfoot afficianado. Does that mean I believe in bigfoot? No, not really. I don't believe that there has been a bigfoot creature in the time that modern humans (the last 150-200 years) have existed. But, I think it's clear and obvious that there could have, at one point, been something similar to bigfoot which would be the genesis of the modern story.

Curse of Bigfoot is a 1963 movie given a sprucing up and rereleased in 1975 with bigfoot attached. Originally, this film was just about a prehistoric humanoid monster being risen from the dead. Then the bigfoot thing happened and got into a spotlight after the infamous Patterson-Gimlin Film in 1967, and soon this swept in to capitalize. It's pretty clear this was not originally bigfoot in the movie, because it doesn't quite look like the bigfoot we imagine:

I mean, why does he have fangs? That aside, what I loved about this movie was just HOW 70's it was. This was super of it's time, in a fun fun fun fun fun way. The fuzziness, the acting, the look, the sideburns, the clothes, the low quality. They are all present and glorious and front and center in this schlock-o'clock. That's my new term I'm coining.

This film feels a bit padded out and overly long, but it is still fun and bigfoot is actually a mummy raised from the dead. So it's an undead bigfoot. Random. But yeah, it is a lot of fun and it all works and the pistons are firing, and you could potentially have a great time with it.

The Tell-Tale Heart - 1960

When I was in middle school or somewhere there about we read Edgar Allen Poe in class. I remember The Raven more than I remember The Tell-Tale Heart, but I did remember the basics of this movie before embarking on it in the Pure Terror boxset.

I started this up and it's really crummy black and white footage, but somehow that fits the aesthetic and the movie captures an atmosphere for sure. I don't remember exactly how the story went, but in the movie we start with the main character Edgar suffering from delusion and seeing his floorboards move in a pulsing heartbeat fashion. Then we flashback and watch how he got here.

Edgar is dating Betty and thinks she is cheating on him. He watches her with his friend Carl and pretty soon he is after Carl to kill him. Edgar kills Carl and buries him under the floor of his home. Thinking he got away with it but having a guilty conscience, soon enough Edgar begins to be bothered by normal sounds, and once they go away, he begins to be haunted by something even worse: The faint sound of a beating heart, coming from the floorboards, getting ever louder and louder...

This film version of the book captures an atmosphere, and it works. That's the shortcut of the review. It's a bit slow, after all it is from the 60's, but it is better than average in that regard. The acting is fine, and there is little to be an effect, but later the sequences of the sounds and the sequences surrounding the heart are cool. When all is said and done I'd catalogue it as a worthy film version, which is saying something when you take into consideration the fantastic source material.

I give this one 4 stars.

The Devil's Possessed - 1974

Alright, so I guessed it was a shitty title translation and I was right. The movie was in another language quite obviously, so I won't detract too many points for the stupid name.

Paul Naschy stars in The Devil's Possessed. Honestly you guys, the title. Its the devil. The devil doesn't need to be possessed to be scary, aight? The direct translation fo the name is "The Marshall of Hell" Which is guess is sorta like saying the leader of hell. Satan. I guess the title should've been just "Satan".

The Devil's Possessed is a medieval sword and sandal swashbuckler affair, featuring an evil tyrant ruler and a bunch of....other guys. Seriously, I'm reaching here. You wanna know the truth of this movie??

I sat here for 90 minutes, looking at the time the movie was taking, wondering how much longer there could be, wondering what the fuck I was doing with my life. I sat here, wondering "why me, god".

I had started Mutant. Mutant turned out to be Night Shadows from 1984, which I'd previously reviewed on this blog. I opted not to rewatch it. Instead, I switched to a random other movie on the boxset and I chose this one, woooo, what a mistake.

This was a slow as shit, pondering, meandering, nothing of a movie. The mild action and the would-be scary plot is nothing of interest, you'll wonder what the fuck is going on as you watch bland actors in leather costumes saying stupid things or having a badly choreographed fight. Seriously, I'd never be the one to say, "there's bad choreography here" until I saw this and realized, "OH! That is what bad choreography is like"

I give this stinker a 1. It is not quite a zero. Mind you, the mild erotic tension and the occassional moments were decent enough.

X-Com: UFO Defense - 1994

I don't know, but I sorta wanted to write...so, here we go. I've reviewed TV shows and I've reviewed one book (sorta) and why not throw in a random video game into this blog? It's not like anyone is reading this thing anyways.

I was in high school when I met Derek Raymond. I don't remember how I started hanging out with him, how we became friends, any of it. What I do remember is that we hung out briefly and then we stopped randomly. In that short time, he told me about but never showed me X-Com. I remember he gave me the disc and eventually I was able to get one of my really old computers to play it. This was a DOS game, and I had to dowload DOS box or some shit... I dunno. Good times.

I decided to include this game ultimately because last night I put it on again, played it for about 3 hours, and once again was engrossed by how good it is. It's turn based strategy in genre, and you control a group of humans who has to reply to an alien threat to Earth. You start by positioning your base, building a fleet of soldiers, and then the aliens begin to arrive.

You have to contend with a much more powerful opponent for most of the game, and it is only through learning their patterns and discovering their weaknesses can you ever hope to win. The game really is quite hard. I've never put in all that much effort, the type of effort I'm sure some people do when they play games, but I believe I've only ever won the game once. Usually it's not because I lose, I usually give up at a certain point and just never get back to the game I've started, but that is beside the point.

X-Com offers some genuine horror and suspense moments. The eerieness of the game is front and center, and the sequel Terror in the Deep is much harder and also equally creepy. I have not beat Terror. The route I've figured out to beat the game in X-Com is from mostly reading and being told by Derek. I'm sure there is a route to beat Terror, but I haven't done as much research.

X-Com is from the best era in videogames, it is also on a randomizer engine and is thus slightly different every time you play. It therefore offers endless gameplay action, and I really enjoy myself every time I reboot up Steam, which is how I play it now. Highly recommended.

Bloody Pit of Horror - 1965

The Marquis de Sade is possibly the most influential single figure in the genre of exploitation. Now, I thought of this opening line but then I remembered the entire genre of Brucespoitation. But I still stand by, and Bruce Lee aside, Marquis de Sade is certainly front and center.

This says at the beginning it is based on the writing of the Marquis, and it is 1965 looking a lot like a 70s. This is prime 70's feeling schlock-orama. The story begins with a killer known as The Crimson Executioner being executed back in medieval times. His body is sealed in a tomb in a castle and soon enough, we're in modern day and a group of people are wandering around, and they come in to the castle. There is a private and secluded guy living there now, and he has a legion of striped shirt goons. As the group of people wander through the castle, the seal on the tomb is broken and bodies begin to pile up!

This movie was exploitation, and I'm honestly surprised that it was 1965! There is a whole thing about the group of people being killed, and they are killed in super creative ways. This is a obvious precursor to Saw and that type of film, and a precursor to the 70s exploitation themes that were going on. The kills are awesome and creative. You have some old school torture type deaths, you have some new things that fit right in, and there's some random whatever deaths along the way.

The weird thing about this and something that did stand out a lot, and makes more sense now that I know the year, is that there is no nudity at all. They actually have several moments where the girl is topless and everything, but they carefully shoot around the nudity and don't show anything.

Another awesome thing about this movie is that the killer, when he appears, looks like a fucking luchadore:

This movie was really zany and a bit nutso. I don't think it was full tilt Insanity like some of the ones I've seen on this blog. It stars a young Mickey Hargitay, who is an actor with many credits but one I have not seen. Actually he was apparently in The Loves of Hercules, which was riffed in MST3K. Also, he was in Lady Frankenstein, which I reviewed back in 2015.

The Exorcist III - 1990

I saw this in Amazon's Halloween instant watch list, and I thought it was the infamous Exorcist II The Heretic. I put it on and instantly this is "actors I know exclusively from one role" fest. Nicol Williamson, the landlady from The Mask, and George C. Scott.

Exorcist III follows older George C. Scott as he investigates a string of recent killings. He is in his late 60's in this, playing like a retired cop or something. The weirdness starts early, and I don't really remember a lot of the early stuff, but I know there's weird scenes in churches and also a great scene where a clock stops while two people are talking.

Eventually it comes out that some of these new deaths match the profile of dead serial killer dude The Gemini Killer. George C. Scott finds a connection to some prisoner somewhere where it seems that the Gemini Killer, played by Brad Dourif, has taken over another imprisoned guy. He's trying to convince everyone that Dourif is the Gemini and people are continuing to die, and it goes from there.

Why is this Exorcist, you ask? In the end, there is an exorcism scene, and it's pretty bland and I guess the good guy doesn't win but also doesn't lose. Who knows.

There were a few creepy parts to this movie I did like, but overall it's a forgettable average possession film. George C. Scott really elevates the story, even though he is terribly cast in it. I dunno, just another movie to watch some random day in life.

Frankenstein 80 - 1972

Wow, forgot I started this one. But I'm not going to rewatch the beginning for completionist sake. I might rewatch it for fun, but not for completionism.

Frankenstein 80 is essentially trying to live it's name. "Let's take Frankenstein and modernize it for the hip world of the 1970's! As 1980 approaches let's translate the story into our swaggerific times!"
Frankenstein 80 is so fucking 70's. It has a main character with a huge turtleneck sweater, tweed jacket on over it, bell bottom jeans, and flocky long hair. In fact it has several of these guys, and they're all cavorting with young supple nubile woman who take off their shirts a LOT. This is one of those movies made with the nudity in mind, and in fact front and center.

Second to the nudity and the 70's there is a monster running about killing people. I'll say that despite the obvious fact these guys made a stupid exploitation movie, they stick to the Frankenstein story decently. Dr. F created the monster, the monster is not named Frankenstein! So many Frankenstein movies do this wrong!

So anyways, Dr. Frankenstein makes the monster, he's the typical array of sewn together people, and he goes on the typical rampage, killing all sorts of people. Mostly he seems to kill girls in a state of undress. He can also teleport. I mean, it's not said, and they never show it, but he will randomly go from girls dormitory to the horse race track to someone's house, in broad daylight, without ever being seen by anyone.

This didn't border the so bad it's good, this was made to help define it. This is before the self-aware so bad it's good, this is smackdab why that term exists. It is self aware, meta, and trying, but it is also fucking authentic and it works! It's a hard definition to draw, but there's countless blogs about it, I'm not making shit up bro.

Anyhow, Frankenstein is being tracked by baffled detectives and his creator, and shit culminates and it all ends in less than 90 minutes. Great minutes. No lie, this shit was just plain entertaining. It is not 5 star type of entertaining, but I'll give it a high 4 any day.

Death in the Shadows - 1985

And thus we come to the first thing that I didn't like about this movie. The terrible, trite, boring, overused name. First line of the review how could I remark on anything but the name? In the original language this is titled The Prey, a not-much-better title.

Death in the Shadows is a movie from Holland. It has no actors in it I've seen in anything, it has a director I have never heard of, and I'm in the cabin writing this without any internet to find information about this obscure ass film.

We begin by following 17 year old Valentine. She is a confident, but in-over-hear-head and naive young woman. She is taken for a turn when her mother dies suddenly, hit by a car. Soon enough, this is added to by a police detective coming around and telling Valentine that her mother was not actually her mother. The woman who raised her and just died had never had children. Soon enough, someone is also after Valentine as the mystery deepens....

I really loved this movie. What is it about slow building suspense mysteries I love? This movie reminded me a lot of the tone and feeling present in Footprints on the Moon. Footprints and this both share a bizarre, ambiguous and ethereal feeling. There is a "otherness" to this movie, a unknown factor that makes it really great.

But let's stick to known factors for now. And...I scrolled down and I seriously forgot the terrible title of this movie because it's not at the top of the page here. Fuck it, let's start on the bad actually:
First of all the fucking dubbing is terrible. Bland and lifeless, these people seem like they are in a black room without being told what their characters are thinking, going through, hell these voice actors don't even know they're being recorded.
Secondly in a short list, it is a bit uneven just like Footprints was. Intense deep bizarre mystery is evenly met by long, nonsense scenes that could have been cut. The first hour of this movie flies by while the last 30 minutes was slow.
Okay, back to the good stuff about Death in the Shadows. Number one, the music. The music in this is SO good. It's weird, it's all over the place, it's zany and miraculous. Honestly, I would get the soundtrack to this movie. Straight up.
The acting. the dubbing aside, the acting in this movie is great. The main actress is confident, childish, mature, energetic, morose, and smart enough. She kills it in the movie. The police detective, the few other characters are all great in their small roles. Minor characters like the boyfriend are greatly written, and each given enough to make them likeable.

In the end, there is not really horror aspect to this as much as the other films in the boxset. There is a killer after Veronica, but mostly this is a straight mystery. I'm glad it made the boxset though, I'm ecstatic with this film.

I can't quite justify 5 stars though, I'll give this 4 stars.

Terror in the Jungle - 1968

I'm still trying. I haven't given up, though I'm obviously slowing down and I don't retain either of my hopes I started out with originally.

Terror in the Jungle has a great first 30 minutes which gets me all pumped for a classic so bad it's good type experience, then slows down a bit and dwaddles out until it finishes. It's not a terrible, not a great, not especially memorable film, but it is on the boxset and it does have a similar plotline to one of these other cannibal Amazon jungle tribal type movies I've seen before.

The plot of this movie is that there is a kid on a plane that crashes in the Amazon jungle. This is around minute 23, and the kid is a blonde haired blue eyed young lad of maybe 6 years old. He survives the crash and gets put into a coffin(?!) that acts as a boat whereas the other survivors of the plane crash all either got exploded or were attacked by crocodiles in a hilarious sequence.

Blonde kid eventually gets discovered by indigenous tribal Amazonians, and they see the blonde hair and think him to be something special. Instead of killing the boy they take him to their leader, who decides the kid is special and holy and soon the village is practically worshipping him. In the meantime the kids father learns of the fallen plane and gets it together to go out and try to rescue the kid.

Terror in the Jungle wasn't too bad. It moves, it has great moments in the first 30 minutes especially and scattered throughout the rest of the movie. The movie wasn't one I'd watch again, but it is way better than the recent fare on the boxset. I would give it about 3 stars.

Warrior Queen - 1987

Wow. Total random guess and I got the year first try.

Warrior Queen is the type of movie I didn't want to write a review for. I sat here for a day, two days, thinking of the shortness of the review that it would have. I thought of the nothingness to say about the bland late 80's sword-and-sandal entry. I thought about the fact I didn't pay very much attention. Then I decided to write the review anyways.

Warrior Queen follows the illustrious line of movies on this blog which were made only to have lots of tits in them.

I don't remember the how or where or why of anything in the "plot" of this movie. What I do remember is many mostly naked women in the beginning, slowly petering out to not as many naked women in the end. Things happened, people said lines, occassionally I got a glimpse of a story about slaves or something, and then the movie was over around the 80 minute mark.

Director Chuck Vincent was a director mostly of porn, and that's obvious if you watch any of this movie. Despite the nudity and the director, I don't remember any actual sex or even kissing in this movie, which is weird. I kept expecting these two women to kiss, and frankly, the movie would've been a lot better if they had. Whatever. I give it a star.